…A dar voce all'intero programma Vincenzo Capezzuto, già etoile del balletto italiano, che si esprime con una colata di miele d'acacia, e rinnova i miti dei trovatori (poeti e musici di cultura francese) Capezzuto, se si chiudono gli occhi, può far credere che a cantare sia il profumo di un fiore. Una viola mammola, ad esempio, ma anche un bocciolo di rosa. Elegantissimo, nella persona e nel porgere il canto, ha l'impegno di una perfetta sillabazione e accenta ogni parola facendo di ciascun brano una pittura.
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…Vincenzo Capezzuto gives a voice to the entire program, he is an etoile of the Italian ballet, who expresses himself as a pour of acacia honey, and renovates the myths of the troubadours (French poets and musicians). If you close your eyes and listen to Capezzuto, he can make you believe that the perfume of a flower is singing. For example a violet, but also a rosebud. He’s an extremely elegant person and singer, and he is committed to the perfect spelling and accentuates each word by making a painting out of each piece.

…Capezzuto’s genderless pop voice conveys every emotion from joy to melancholy with ease, while his graceful phrasing is at once expressive and insinuating. Various ages, accents, comic voices and dialects are dispatched with commedia dell’arte skill.

…Imposible cantar mejor tanto la tesitura como la manera de decir fueron perfectas. Capezzuto canta de tú a tú como si cada uno de los asistentes estuviera solo con él en la sala de estar de su casa. Recital intimo, apacible y por supuesto próximo.
(Critic from concert in Palma de Mallorca)
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…Impossible to sing better, both the texture and the way of saying were perfect. Capezzuto sings face to face as if each of the attendees were alone with him in his house’s living room. Intimate recital, peaceful and close.
(Review of concert Palma de Mallorca)

…Le Temps semble n’avoir aucune prise sur l’organe de Vincenzo Capezzuto, doté d'un timbre immarcescible et au-delà des genres et des âges, à l’image de celui d’un Chet Baker. Ses inflexions ont l’impalpable délicatesse des ailes d’un papillon et sa sensibilité à fleur de lèvres nous donne la chair de poule dès sa première échappée en solitaire (Dicitencello Vuje de Rodolfo Falvo, à faire pleurer les pierres). Il s’approprie tout ce qu’il chante avec une sincérité et une justesse incroyables – le mot de la fin ne pouvait que lui revenir, infiniment suave dans le lamento funèbre Fenesta che luciva, un de ces chefs-d’œuvre anonymes qui traversent les siècles pour nous étreindre comme ils ont dû étreindre leurs premiers auditeurs.
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…Time seems to have no effect on Vincenzo Capezzuto’s voice, endowed with an immaculate timbre that transcends genres and ages, like the one of Chet Baker. His inflections have the impalpable delicacy of a butterfly's wings and his lip-smacking sensitivity gives us goosebumps from his first solo escape (Dicitencello Vuje by Rodolfo Falvo, which makes the stones cry). He makes his everything he sings with incredible sincerity and accuracy – the last word could only come to him, infinitely sweet in the funeral lament Fenesta che luciva, one of those anonymous masterpieces that crossed the centuries to embrace us as they must have embraced their first listeners.

…La voz del bailarín Vincenzo Capezzuto es muy particular, inclasificable. No es un contratenor al uso, su voz aguda es natural y de una gran belleza. Los fragmentos del Stabat Mater que cantó encandilaron al público.
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…The voice of the dancer Vincenzo Capezzuto is very particular, unclassifiable. He is not a countertenor, his high voice is natural and beautiful. The fragments of the Stabat Mater that he sang dazzled the audience.

…It is difficult to categorise Vincenzo Capezzuto’s voice; it is a startlingly androgynous falsetto, a reedy sound that turns white in its higher register. He employs it with total immersion in the text and styles required. He made the bossa nova-influenced Man is for the woman made lively and amusing and An Evening Hymn charming in its simple sincerity.

Artista a tutto tondo, esploratore curioso di generi musicali in apparenza diversi tra loro, Vincenzo Capezzuto incarna perfettamente la definizione di artista che rifugge da qualsiasi categorizzazione. Una figura meravigliosamente atipica nel panorama musicale, capace di spaziare dal barocco al repertorio popolare di vari paesi.
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A complete artist, curious explorer of apparently different musical genres, Vincenzo Capezzuto perfectly represents the definition of an artist out of categorization. A wonderfully atypical figure of the musical panorama, able to range from Baroque to the Pop repertoire of various countries.

…As Orfeo’s companion nahual—a shape-shifting being of Aztec mythology—Vincenzo Capezzuto is a bit of a shape-shifter himself; he has a sweet, feathery alto that’s so convincingly feminine I assumed in the liner notes the o in “Vincenzo” was a typo. His pop-leaning delivery helps smooth over the strained “old church-choir lady” sound that often plagues similar-sounding countertenors.

...L’unitarietà che travaliche le epoche storiche è certamente favorita dalla voce di Vincenzo Capezzuto, indefinibile nella sua unicità, estensione del contralto in emissione naturale, con una pasta delicatissima, un nitore cristallino e un timbro che si ammanta di sfumature maschili, femminili e di voce bianca senza che questo dia origine a discontinuità percepibile; più ancora che per i controtenori si può usare per lui la definizione di ‘voce d’angelo.
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...The unity that goes beyond historical eras is favored by the voice of Vincenzo Capezzuto, indefinable in its uniqueness, an extension of the contralto in natural emission, with a very delicate paste, a crystalline clarity and a timbre that is cloaked in masculine feminine nuances, and of a white voice without this giving rise to a perceptible discontinuity; even more than for the countertenors, the definition of 'angel's voice' can be used for him.

.. Vincenzo Capezzuto, avec sa voix haut perchée au timbre presque androgyne très surprenante pour nos oreilles habituées à plus d’académisme, fait montre d’une belle projection et d’une expressivité charnue et voluptueuse, c’est peu dire que la salle fut conquise par la prestation de l’ancien danseur (dont il a gardé la grâce et la présence). Capezzuto, né à Salerne, chanta avec les talents d’un conteur, tour à tour mélancolique et séducteur dans la "Tarantella del Gargano" ou "Tu bella ca lu tieni" (chant populaire), poignant et charmant dans la "Lamento della Ninfa" de C.Monteverdi, exubérant et "napolitain" dans le chant traditionnel "Pizzicarella mia"...
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..Vincenzo Capezzuto, with his high-pitched voice with an almost androgynous timbre that surprises our ears used to academicism, shows a beautiful projection and a fleshy and voluptuous expressiveness, we have to say that the hall was conquered by the performance of the former dancer (whose grace and presence he kept). Capezzuto, born in Salerno, sang with the talents of a storyteller, turns melancholic and seductive in the "Tarantella del Gargano" or "Tu bella ca lu sena" (folk song), poignant and charming in the "Lamento della Ninfa "by C. Monteverdi, exuberant and "Neapolitan "in the traditional song" Pizzicarella mia “…

... Vincenzo Capezzuto mit seinem ganz seltenen Tenor-Timbre zwischen Brust- und Kopfstimme singen ihre lateinamerikanischen Cancións hinreißend. Leonard Cohens „Hallelujah“, von Vincenzo Capezzuto mit lichter Intensität gesungen, war mehr als das i-Tüpfelchen am Ende eines tollen Konzerts.
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...Vincenzo Capezzuto, with his very rare tenor timbre between chest and head voice, sings the Latin American Cancións enchantingly. Leonard Cohen's "Hallelujah", sung with intensity by Vincenzo Capezzuto, was more than the cherry on top at the end of a great concert.